From June, 2019

Completely Subjective: Kerrin McCadden’s “Becca”

Serifs, I say. I like serifs. I like serifs too. They’re stable, constant, waiting, trembling, a boat. Bookends, I like to think, tape stretched thin across all four canvas-sides, quivering under the weight of three layers of oil, three layers of thick piled-on paint. It’s the curl on the end of a lowercase g, the…

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Completely Subjective: Jill Bialosky’s “Daylight Savings”

I have never been close with my family. Any road trip is awkward, filled with broken down cars and arguments in the restaurant that make everyone else feel uncomfortable. There were times when I wished for a new family like the confused six-year-old that I was, but now I am plainly used to it, tired…